Artist grants nyc

“Wait, we’re musicians, we don’t write agendas.” Ok, but that’s a great way to ensure you don’t get anything done. Being a good musician sometimes requires a little business sense, and I’ve found a clear agenda can really help. Knowing exactly what order we’re going to record in can make the whole thing so much smoother and more efficient. And laying it out a week in advance gives your bandmates and engineer a chance to prepare, make suggestions, or consider alternate approaches.

By now, you’ve probably heard us shouting from the rooftops about our new and improved customized mentorship program, the Headliners Club — or as we like to call it, our “build-your-own-course course.”

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Cma conference 2019

The frontwoman of the Israeli group Panic Ensemble’s first solo effort covers a lot of ground. Kraus’ versatile pipes carry her through multiple genres from cabaret to orchestral/Balkan pop, maintaining a sensual curiosity throughout. I’m interested to see whether she brings out a full band; her arrangements are as joyously unpredictable as an early Bjork record.

One of my projects for this summer is to realize my decades-old ambition to learn how to scratch. I borrowed a Korg Kaoss DJ controller from a friend, downloaded Serato, and have been fumbling with it for a week now. The Kaoss DJ leaves much to be desired. The built-in Kaoss Pad is cool, but otherwise it’s too small and finicky. I will definitely want to upgrade to something with big, chunky buttons and more haptic feedback in general. Still, the Kaoss DJ is enough to get started with.

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