Grants for performing arts education

Because I’m personally so influenced by Nick Cave and Leonard Cohen, I’ve spent a lot of time reading poets like Sappho, Auden, Berryman, and T.S. Eliot, and listening to Jewish and Christian liturgical music, which were all major influences on them. Cohen’s “Suzanne” oozes with classical, religiously steeped references.

For example, if you are a solo performer singing along to tracks and all you bring on stage is your phone or iPod, you’re focusing all the attention on yourself as a performer. If you choreograph dance moves, or play into this isolated, “artist in the spotlight” vibe, perfect. But if you’re only doing this because you haven’t yet figured out how to play this music live, it’s a mistake to get up there in the first place. People look at that stuff, believe me.

The first chords of your song will set the emotional precedent that your lyrics should ultimately follow. Here’s a few suggestions for starting strong!

Music and youth initiative

If you sample someone else’s music, make sure you’ve covered all your bases too. Reach out to the original songwriter to discuss splits and obtain a mechanical license to use their sample in your music, and then register and administer the percentage that you both agree upon. Don’t find yourself in a sticky situation — do your homework and know how to properly go about using samples.

Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.

+ Learn more: The fundamentals of improvisation apply to any instrument. Learn how to improvise on the djembe, or anything else you happen to play with our course, “The Improviser’s Toolkit”!

So much of today’s new technologies tend to offer (at least in marketing speak) out-of-the-box solutions to musicians’ and students’ problems. Softwares and plugins, devices and networks, are all designed to minimize the rough edges around taking the time to learn things the hard way, practice them, and interact with things and people. And while these tools are optional, and do provide new avenues for creative expression and learning, they sometimes also skip over some crucial steps in the lifelong learning process of the artist, particularly those steps that historically have happened in the classroom.

The great thing about studying pop tunes is that they very rarely stray from a given key. They like to keep things rather diatonic. This means that with just a small bit of practice, you can start to recognize these chord progressions for yourself, even without your instrument in hand. We will go much deeper into our understanding of how these chords function in later articles, but for now let’s just get comfortable with what we get from “Sorry.”

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Lulu has been languishing in jail, and the stage directions require a pre-recorded film to play, which begins to run in reverse halfway through the reel. The music matches this, pivoting on dense piano arpeggio that mirrors its ascent and descent:

You have an idea, and it needs to be discussed publicly. What do you do? Start a podcast, obviously! I’m not here to tell you what to talk about but I will say this: It needs to be engaging and produced in a way that makes sense. Good content is always engaging, no matter how badly recorded it is. That being said, good production can make content even more engaging.

Lalita had some help in that scramble to barricade her bedroom window. Her mother and sister, their cat, and her brother and girlfriend and their four cats, all took shelter in the apartment she shares with three roommates (and more cats). Later, they had to work together to stop the flooding while rain relentlessly poured into her living room, where her brother had been sleeping on a mat on the floor and awoke abruptly, realizing he was soaking wet.

In Bach’s pre-Enlightenment time, understanding how and why he composed his music might lead contemporary composers to new and exciting areas. Learn more.

I won’t keep you waiting — the short answer is yes. I was curious though since I’ve never purchased a holiday album in my life. I do immaculately own two copies of A Charlie Brown Christmas, but have no idea where they came from. So, what’s the deal with holiday albums and who’s buying them? And as a musician, should I be making one too?