First, create a list of small, reasonable venues to reach out to, and then write down the names and email addresses for the people who book music for those places (virtually all venues now book talent through email). Instead of putting all your booking hopes in one basket, writing down multiple venue options will give you the best chance at booking shows. Again, instead of focusing on the best local venues, you’ll need to start building your reputation anywhere you can.
Before you start layering effects on your percussion parts, it’s crucial that you set yourself up to be able to mix each instrument in your kit individually. Sure, Logic offers loads of percussion-based EQ settings designed for whole drum kits, but this doesn’t mean you shouldn’t write your parts in a way that will allow you to isolate them in mixing later.