Although most of these modes have been used quite sparsely in Western popular music (and mostly in jazz-fusion), some of them have been used more. The mode built on the fifth degree of a Harmonic minor scale, Phrygian (Major third), for example, has been used in heavy metal by guitarists such as Yngwie Malmsteen or Ritchie Blackmore, while the mode built on the seventh degree of the Melodic Minor scale is commonly used in jazz over altered dominant chords (for example, try to use G# Superlocrian on a G#7(♭13) and unleash its altered, dissonant character).
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested to dive deep into a topic covered by one of our courses, like Orchestration for Strings, Unlocking the Emotional Power of Chords, or The Creative Power of Advanced Harmony, or just to work with a Mentor directly to achieve a specific musical goal, we’re here to help!
Continue reading “Best rap albums of all time”
Pizzetti wrote several books, mostly of musical criticism (he co-founded a journal of modern music, Dissonanza in 1914), but notably also a biography of Niccolò Paganini. His music is lush, diverse in terms of what he asks of his orchestral players, and sincere. It fits well with the times, being not all that dissimilar to the beauty and drama of Claude Debussy and Vaughan Williams; and it yet fits even more perfectly into the history of Italian sacred music and operatic canon. A true delight to discover him here.
The odd timing, as the sequence starts on the “4” beat of the end of the solo, instead of the expected “1” beat, catches the ear off guard and adds to the mystical feel of this little interlude. The icing on the cake can be tasted when the bass doubles the notes from octaves below it — though at the start of the third octave, Jones dips back to the third below it, and finishes his last arpeggio back at the top of the second octave, instead of continuing on to the top of the third with Page. It’s a wise decision, as the widening gap in pitches helps accentuate the guitar’s rise to its zenith. It’s yet another classic example of Jones’ flashy but never overdone playing.
Continue reading “Best hip hop albums 2018”