A firm fixture in the late 20th century avant-garde scene, Bertoncini’s abilities as a pianist also led him to perform piano repertoires from the Baroque era through the early modernist canon, and even piano and keyboard pieces written by Terry Riley and John Cage. He wrote numerous pieces for solo musicians and ensembles that include a variety of instruments and acoustic environments and treatments, such as Japanese gongs, prepared piano, speakers, mimes, photoelectric motors, sitars, “kinetic shadows” (whatever those are), and — of course — many Aeolian harps. Yeah, he was a weirdo, and an enormous influence on the late 20th century Italian avant-garde.
You already know that Austin is a mecca of musical talent and endless opportunities during SXSW but it’s also a pretty incredible year-round music scene, and partly because of the large student presence. If you’re familiar with SXSW, you’re likely aware of the rows of live music venues on Sixth Street, with shows running throughout the week. In addition, it has the Pecan Street Festival, which features five stages for live music, as well as performances by the Austin Symphony Orchestra. With several college campuses throughout the city, you shouldn’t have any trouble finding a venue and an audience if you play your marketing cards right!