Delays can either thicken your drums or bring out entirely new note features depending on how they’re used, while reverbs and distortions can add vivid new colors to percussion parts by making them less pristine and obvious. These are effects we are used to using in order to layer over guitar parts, but they can do incredible things to brighten up stale percussion parts as well!
The first is free-hand, which is to say that you record piano and vocals at the same time and even if they’re off tempo the two are synced together. It will sound more free and raw, but you’ll have a hard time syncing rhythmic elements and timed processing such as delay and reverb in a consistent manner. The second way is to record on grid, whereby you’ll record to a click-track to steady your tempo. In this case, it’s best to record one track at a time, but that doesn’t mean you can’t sing to yourself while you record your keyboard takes.
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“Musica Ricercata” is a work consisting of 11 movements for solo piano, which make use of two notes in the first movement, three in the second, four in the third and so on, featuring the full chromatic scale in the last movement of the work. We will look at the first movement for its unusual and brave choice of using a single note for an entire composition (or as we’ll see, for all but the last four measures).
We can help you get your tracks sounding professional in six weeks. All of our mentored online courses come with 1-on-1 coaching, guidance, and feedback on your work. So whether you’re interested to dive deep into a production-related topic like Advanced Mix Techniques, Making Music in Logic Pro X, or Songwriting for Producers, or just to work with a Soundfly Mentor directly to achieve your next musical goal, your next phase starts with Soundfly.
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