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Firstly, the consensus among considerable and devoted fans of the group is that the Roland SH-101, Yamaha AN1x, and the Akai S1000 are the most likely hardware cornerstones of the pair’s sound. Beyond reliance on these units to generate sound, the recording platforms are also key.
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Much like vinyl imparts a certain imperfect-but-adored sound through time, dust collected, faulty needles, and warped records, the same can be said of the MP3. Arguably, retro-MP3 production value is more in line with the tenor of our digital, postmodern age. We now have free apps on our phone to imitate crappy VHS camcorders. We share dank Instagram content that harnesses the style of visual degradation, mash-up and retro Windows ’98 artifacts — why not bring back the 128 kbps MP3 as well?
Some quick and handy approaches to getting a great sounding recording of your drumkit, even if you only have a couple mics lying around your home studio!
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